History of Caste Politics by an Angry Young Man: A Study of Vijay Tendulkar’s Kanyadaan

Biswajit Choudhury
ABSTRACT

Vijay Tendulkar’s play Kanyadaan is an open-ended terrain of explanations and interpretations of the caste politics implanted by Brahmism colonialism and false religious dogmas. The re-reading of the play manifests the hegemonic power structure prevailing in the society. The play shows that Break the Caste System is a good slogan for politics but very difficult to apply in social life and family life. This research article discovers Arun as an oppressed anti-hero who tries to find out the “history from the below”, a term used by the subaltern historians. Arun throws light on the fact that dalits were dispossessed of their homes and lands during the pre-colonial, colonial and postcolonial period. The re-reading of the play presents the character of Arun as a subaltern historian who unearths the subjective history of subjugation, humiliation, deprivation, discrimination and subalternization. Arun reminds every one of the histories of struggle fought by caste subalterns down the ages. After looking back with anger, Arun looks forward with fire and wants to set fire to the whole world. This article shows that Tendulkar wanted to present Arun as a dalit intelligentsia in front of his would-be in-laws with no marks of highly cultured person. Arun does not want to change himself because he is afraid of losing his identity. Identify crisis or search for identity is an important theme in postcolonial studies. Arun would always be the “Other” to the Brahmin or upper caste world. Jyoti as a true wife stands by Arun to awaken the god slumbering within man. Through Jyoti’s mouth, Tendulkar propounds that without a comprehensive realization of humanity, it is difficult to appreciate the real human self beyond social prejudices. This comprehensive realization or empathy would be the first step to liberate the caste subalterns from the thralldom of social stigma
Key words: History, caste, politics, subaltern, dalit, postcolonial.

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